Tag Archives: NWP

On Collections

Note: This is a cross-post from a prompt that caught my eye recently at the iAnthology, a small community of pretty committed National Writing Project teachers. In true Writing Project fashion, every week begins with a prompt open to all participants. This week’s Writing into the Week had to do with collections.

I have been feeling more compulsion to write a lot lately, more than normal. Some of it is even making it to online spaces.


When I was a kid my mother used to always declare, with a certain degree of ironic exasperation, that I collected collections. I suppose there was a grain of truth in that, although I am not sure how much complicity that she had in that observation.

As a child, I was very much into complete sets or series, action figures, Hot Wheels and Matchbox cars, trading cards, comic books, and more were to my liking. It was as if some advertising executive was thinking of me when the phrase “collect them all” was coined. I even remember trying to convince my parents to keep going to Burger King, just to get all of the Star Wars collectable glasses with each film release.

As I grew older, my tastes changed, but my urge to assemble sets did not. I still have a few sets from my youth, stored somewhere in boxes. All of my the toy cars are packed neatly into two of those carrying cases with the plastic mesh trays, with a slot for each car. I even have a few boxes of comic books, each individually packaged in a plastic sleeve with an acid-free cardboard backer.

I often wonder why I hang onto all of it, especially after having purged all kinds of stuff each time I have moved. Every once in a while, I still marvel at how much crap kind of naturally collects while I wasn’t paying very close attention.

Now while it might seem as though there still are a few collections of collections in my house, it really all comes down to books and music. I have a lot of books and CDs, too many really. My penchant for sets has never really ebbed, I guess. Amidst the overflowing shelves I have accumulated, are some revealing runs of musicians and authors.

There is every novel by Hemingway, from my post high school binge, between ages eighteen and nineteen, after I read The Sun Also Rises in a senior humanities class and fell in love with it. To this day A Farewell to Arms remains one of my favorite novels of all time. It is a book that so much affected me it took threats from my wife to ensure I would be present for the delivery of our first child. Of course, I am glad she insisted.

There is every CD that Paul Weller has ever made, another adolescent affair. Aren’t nearly all of our great musical love affairs sparked when we are our teens? The British Modfather has never really caught on Stateside, but he started banging out music as a nineteen year-old in 1977 with The Jam and has kept making music ever since. Last count that meant over 30 discs bought by this fan.

There is every novel written by Neil Gaiman, the cult fantasy writer, who I discovered in the aftermath of his Sandman success, despite vaguely recognizing the name. While that collection didn’t start until I was already well into adulthood, it still draws heavily on my young connection to the comic book genre, which where he made his name first. Of course, I have very slowly endeavored to go back and read those early Sandman stories in trade paperback, although I don’t have all of them just yet.

Then there is the many near sets that litter my house’s office space. They include runs from names that I have most but not quite every single title.

In music, these are the likes of Steve Earle, Bruce Springsteen, John Hiatt, Lyle Lovett, Elvis Costello, Peter Gabriel, and Eric Clapton, just to name a few. My wife laments that we cannot ever simply shuffle my iPod on long trips because every third song is likely going to be a Weller, Earle, or Springsteen single.

Amongst the bookshelves, that now overflow into almost every room in the house, are mainly subject sets, including double-digit counts on soccer, teaching, and increasingly dated web development books. In fact, I also have so many theatre books form my undergraduate days that I would need to have an entire, exclusively devoted  shelf system if I wanted to display them all. This is on top of Narnia, Harry Potter, Artemis Fowl, and more series that I look forward to rereading with my kids when they get a bit older.

By the way, my less-than-guiltless mother, who complained of the mess from all the collections, would later buy me a complete set of Star Wars figures when they were re-released with the second set of movies, all because she forced me to get rid of it all as a kid. This was when I was in my thirties. I still don’t even know where to put it all.

Interestingly, it all goes back to childhood and adolescence for me. It may have started with toy cars and Star Wars figures but it morphed into music and books. You can tell so much about people by what they collect. Perhaps, in writing this I am frightfully learning that I have never really grown up. Although I am not sure that’s true, it probably lets on more of a wistful need for nostalgia.

One revealing moment does still remain in my mind, however. I still vividly recall attending a party when I was in high school. It was a birthday party for a girl whose name has long vanished. She lived in a beautiful, large, old house with far more rooms than my parent’s tiny Cape Cod. Most amazing to me was the fact that this house had a library. I got lost in that library, away from the party, for most of the evening, staring at the leather-bound series of Great Books, as well as the hundreds of other titles packed on exquisite, cherry built-in shelves. There was even a small section of music, vinyl, cassettes, and an impressive number of CDs for all of their newness at the time. I was mesmerized by it all.

The nameless birthday girl, whose face eludes me too, found me in that room surrounded by all those books at one point. Before beckoning me back to the action, she commented, “Yeah, my dad reads a lot,” with a leaden heaviness emphasizing “a lot.” Literally, it was at that party, a prescient moment occurred. It was then that I thought, “I want to have library when I grow up,” and I began saving my books and music ever since. My grandest of collections was born right then.

Following-up with The Pressures of Teaching

As I mentioned previously, my first major published essay, in the book The Pressures of Teaching, has been getting a lot of renewed promotion of late. It is available for purchase in a store or online, and there is even a preview copy available (my chapter not available in preview). In the last related post, I mentioned that the nice folks at Kaplan Publishing have been giving away free ebook downloads for a limited time, which has now been extended through January 17. It is one of a number of free books available. So anyone with a Nook, Kindle, iPad, or eReader can get a free copy.

Additionally, last week the Maureen Picard Robins (editor), Bryan Ripley Crandall,  Bruce Green, and I all recorded a program for NWP Radio that will be released tomorrow, January 13. It was great fun and it is always delightful to chat with host and co-director of the National Writing Project Elyse Eidman-Aadahl. NWP Radio is a podcast program, providing information and resources to leaders of National Writing Project sites. Many of the authors in the book are fellow NWPers, including all that appeared on the program: Robins (NYC) Crandall (originally Louisville), Green (originally Bay Area), and me (Boston).

So tune in and have a listen and let me know what you think.

More Thoughts on Global Collaborative Projects

My first genuine global collaborative project was the inaugural NetGenEd Project, a version of the Flat Classroom Project. I have previously reflected on that a couple of times, but it proves to be a milestone teaching experience. There was something really thrilling about being part of something much bigger than a single classroom or even a single school for that matter.

It was a fast and furious experience that took a lot of time for the students to make any sense of it. To be honest, it took some time for me to make sense of it too. One thing I discovered, I am considerably more comfortable with a certain degree of chaos then my students are. Consequently, as I reflect on some of the essentials of designing a global project, I find myself returning to Vicki Davis’ Five Phases for Flattening Your Classroom. Being a participant in a project someone else has developed and cultivated through several iterations is one thing designing my own is another.

Of course, I am very keen on developing a MOOC for NWP and continuing to work on that idea, it is rooted in teacher professional development. It is not a student project.

I do have a few ideas for student projects. Principally, I have been working with some colleagues that also teach grade 9 English in developing a project. It is has a bit of an odd history, as the a now retired Technology Integration Specialist was encouraging me to leverage my Flat Classroom Project experience in looking Thomas Friedman’s follow-up Hot Flat and Crowded. I think she figured that I would rope the others into something that would span the ninth grade, that was interdisciplinary but had literacy as a central hub. There were a lot of disconnected threads in the original discussions, but the others were game to try something. Yet, I am not sure that they are ready to invite the world in just yet.

Like I mentioned, throwing  students into the global collaborative environment that already exists is a bit easier, like working with a safety net. However, it is completely conceivable that we could plan this project to operate clearly in Phase Two – Interconnection, within our school and the entirety of grade nine. Even if ever other teacher is not quite ready for that, I could certainly map out a team matrix and have my three sections commingled with teammates outside of their own section. This seems like a really valuable step to prove to the others that it can be done and is not necessarily the most difficult thing to plan. Of course they might be willing, I have only broached the topic at this point. We are still kind of in preliminary planning stages.

What is emerging, however, is a project that will be rooted in themes Friedman addresses in Hot, Flat, and Crowded, with that text functioning in a more supplementary role. Thanks to fellow classmate Honor Moorman, who tipped me off on the title, we will use What Matters more as a primary text, since there is great thematic crossover but in a much more appropriately accessible text for fifteen year-olds. It will leverage the core Flat Classroom Project pedagogical outcomes, a collaborative research and writing product and an individual multimedia artifact. We still have a fair amount of planning to do and I am definitely in a kind of sales mode about it, but it looks like it will happen. Once it takes root then with some iterative steps we can open it up to the possibility of some outside collaborators and continue developing the project.